Studies in Musical Performance as Creative Practice

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Studies in Musical Performance as...

Studies in Musical Performance as Creative Practice

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Studies in Musical Performance as Creative Practice

Series Editor John Rink

Volume 1

Musicians in the Making: Pathways to Creative Performance

Edited by John Rink, Helena Gaunt and Aaron Williamon - 2017

Volume 2

Distributed Creativity: Collaboration and Improvisation in

Contemporary Music

Edited by Eric F. Clarke and Mark Doffman - 2018

Volume 3

Music and Shape

Edited by Daniel Leech-Wilkinson and Helen M. Prior - 2018

Volume 4

Global Perspectives on Orchestras: Collective Creativity and Social Agency

Edited by Tina K. Ramnarine - 2018

Volume 5

Music as Creative Practice

Nicholas Cook - 2018

سب زمرہ:

ناشر کتب:

OXFORD

زبان:

english

سیریز:

Studies in Musical Performance as Creative Practice

فائل:

PDF, 63.46 MB

IPFS:

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english0

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ڈاؤن لوڈ کریں (pdf, 63.46 MB)

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آپ کو دلچسپی ہوسکتی ہے

Russell (ed.) Hartenberger — The Cambridge Companion to Percussion

Hartenberger, Russell (ed.) — The Cambridge Companion to Percussion

Russell (ed.) Hartenberger — The Cambridge Companion to Percussion

Hartenberger, Russell (ed.) — The Cambridge Companion to Percussion

Hartenberger, Russell (ed.) — The Cambridge Companion to Percussion

Robert A. Cutietta — Who Knew?

William C. Banfield — Musical Landscapes in Color: Conversations with Black American Composers

Robert Raines — Composition in the Digital World -

Robert A. Cutietta — Who knew? : answers to questions about classical music you never thought to ask

Nicholas Cook — Music: A Very Short Introduction, 2nd Edition

Nicholas Cook — Music: A Very Short Introduction

Nicholas Cook — Music: A Very Short Introduction (Very Short Introductions)

Gunther Schuller — Musings: The Musical Worlds of Gunther Schuller (Oxford Paperbacks)

Nicholas Cook — Music: a Very Short Introduction

John Rink, Helena Gaunt, Aaron Williamon — Musicians in the Making: Pathways to Creative Performance

Nicholas Cook — Music as Creative Practice

Tina K. Ramnarine (editor) — Global perspectives on orchestras: collective creativity and social agency

Eric F. Clarke, Mark Doffman — Distributed Creativity: Collaboration and Improvisation in Contemporary Music

Raines, Robert — Composition in the digital world : conversations with 21st century American composers

Wigglesworth, Mark — The Silent Musician: Why Conducting Matters

Mark Wigglesworth — The Silent Musician: Why Conducting Matters

Jennifer Kelly — In Her Own Words: Conversations with Composers in the United States

Karin Anna Pendle — Women & music : a history

Karin Anna Pendle — Women and Music: A History

Karin Anna Pendle — Women & music : a history

J. P. E. Harper-Scott, Jim Samson — An Introduction to Music Studies

Colin Lawson, Robin Stowell — The Cambridge History of Musical Performance

Mark Wigglesworth — The Silent Musician

William C. Banfield — Musical Landscapes in Color: Conversations with Black American Composers

James Saunders (editor) — The Ashgate Research Companion to Experimental Music

John Beckwith, Udo Kasemets — The Modern Composer and His World

Christoph Cox, Daniel Warner — Audio Culture: Readings in Modern Music

Rebecca Cypess;Estel Gomez;Rachael Lansang; — Historical Performance and New Music

Rebecca Cypess, Estelí Gomez, Rachael Lansang — Historical Performance and New Music (Studies in Contemporary Music and Culture)

Hartenberger, Russell (ed.) — The Cambridge companion to percussion

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